esperanto-rock-orchestra

1973. Only art credit I could find is “Art Direction: Michael Doud.”

tamba-trio

1966.

pow-ted-heath

Pow indeed. 1966.

A couple very different bits of type for this singer. From 1979:


evie-never-the-same


evie-never-the-same-detail


and 1977:


evie-mirror


evie-mirror-detail


She had others, like this one from 1972

40-original-hits

1976.

kayak-phantom-of-the-night

1978. What really caught my eye on this one is the logo:


kayak-phantom-of-the-night_logo
They seem to have used this logo pretty consistently in various forms throughout their career. But the neon treatment on this one is what makes it.


And they had at least one other cool typographic moment:


kayak-merlin
That one’s from 1981.

Ferrante-and-Teicher-Dial-M-for-Music

1974. Artwork by Peter Palombi.


Ferrante-and-Teicher-Dial-M-detail

why

An unusual one. Religious record—not sure of the date. Mid- to late-60s, or maybe even early-70s?

Jimi-Hendrix-Are-You-Experienced-art

Something else a little different: The production art for the (North American) cover of Jimi’s debut. In Olden Times, the tissue overlay like this was used to indicate where and how color is applied, and also where to place other camera-ready bits of art (like the word “Stereo”, the “Printed in the U.S.A.” line, and the Reprise logo) indicated here with little sketches. The art under the tissue was likely the final version to be shot for the film and printing plates (though full color separations would be swapped in for the image, which was printed in color.) Here’s the final product, for your reference.


Saw this at the Experience Music Project. From 1967. Cover photo & design by Karl Ferris.

hank-marr-greasy-spoon

Two covers that are “of a type,” so to speak. 1969 (above) and 1967 (below.)


boots-randolph